Ball Finder Robotic Arm
Update (7/22/10): Learn more about the class here.
This was my team's Lab 1 project for EECS 498 - Intro to Robotics. The lab assignment was to detect balls on a table by processing the frames from an overhead camera, then having the arm pick up the balls and place them in a container.
Grain of Sand Trailer
Update (7/22/10): See photos from the project here.
This is a trailer for Grain of Sand, a videodance piece I was part of this summer. We spent four days shooting in Kent, OH, and I got to hang out on a farm eating like a king and covering myself head to toe with mud with some of the coolest dancers I know. I'll post links to more footage/photos as they come.
Grain of Sand trailer. Choreographed by Alicia Díaz and Matthew Thornton. Trailer filmed by Alison Dobbins & Ben Craig. Music by Bill Sallak. 2009.
The New Singin in the Rain
Dancing in the Studio by Connie Huang. Dancing and choreography: Megan DeShong and Aidan Feldman. 2009.
Miniature Clawfooted Bathtub
Update (7/23/10): See the April 10, 2010 performance of the piece here.
A duet I am in, being auditioned for the American College Dance Festival - Central region conference:
Choreography by Jessica Bonenfant in collaboration with the performers: Aidan Feldman & Austin Selden.
Composed by Nate May (Psoy Korolenko, improvised Russian poetry; Fritz McGirr, percussion improvisation; Nate May, celeste improvisation and Wurlitzer organ; Alex Trulove, trombone; Danny Fisher-Lochhead, alto saxophone; screams were recorded in Cape Town, South Africa, on the announcement of the results of the 2008 U.S. election.)
MRI Adventures
A very cool example of the power of imagination, creating immersive experiences, and how to design for kids:
Was having a conversation with a GE employee this evening, and he told me about a recent pilot program GE Healthcare started.
MRIs are generally terrifying for kids: a huge, loud machine in a cold, sterile room that you need to get inside of and be completely still. Kids normally require sedation for this reason, increasing health risks for the child and stress for the parents.
In this pilot program, GE is covering their MRI rooms and equipment in a pediatric hospital with cartoon graphics, printed on the plastic used for car wraps. For example, the graphics might make the MRI machine appear to be a spaceship, and the children are told they are preparing for blastoff while laying down inside. According to the article, this has immensely reduced the percentage of children that require sedation.
http://www.healthymagination.com/pediatric-design-turns-scary-mris-into-adventures/
Miura-Ori Lamp
The first assignment in my Smart Surfaces class was to do some simple RGB color mixing using the Arduino, and to create a "lampshade" of sorts for display. I had a piece of origami sitting on my desk from Creative Process last year (another very cool Provost-sponsored team-taught course), and imagined the way the highly faceted paper surface would dissipate and reflect light.
The form is a Miura-Ori fold, an origami pattern invented in 1970 by a Japanese astrophysicist. The interesting feature of this pattern is that a surface with a large area can be completely unfolded by pulling in one direction, making its operation intuitive and mechanically simple. One interesting application of the Miura-Ori fold has been on satellites, where instead of paper the surface is composed of solar cells, hinged along the would-be creases. During launch, the solar arrays are relatively compact, but open during deployment to form a large planar surface area. I enjoy their integration of an ancient art form, deeply rooted in traditional Japanese culture, into a high-tech system.
While considering the satellite's collection of light along the length of a solar panel array, I stuck three rows of colored LEDs on a breadboard, aligning with the "corners" of the folds. Along each row, the LEDs slowly fade in and out in cannon, which I accomplished by expanding some Arduino tutorial code. The vertical separation of colors (as seen in the picture) almost makes the lamp seem like a spectrograph or a prism. Though there is not enough light projected for this to be a practical lamp, I was pleased with the visual effect of the light on the lampshade form.
Paper Man
My senior solo.
Choreography, performance and video by Aidan Feldman. Music by Erik Satie. Lighting design by Mary Cole. 2008.
Patrick Warren
In Videodance class last semester, I was in a short video by Colin Rich called Patrick Warren. It ended up getting accepted to a number of film festivals as a short, and apparently crossed some threshold where the video (and I) could hypothetically be nominated for an Academy Award! Didn't happen – I'm sure they just misplaced our votes or something. Anyway, Colin did an amazing job, so I am glad it got so much recognition. Spring 2009.
Max and Amy
Choreography and performance by Aidan Feldman and Lara Martin. Music by Mark Fain. "Hotmix" recorded live at CommShow, 3/22/08.
Sorrow and Misery Follow Her Smiling
Video by Aidan Feldman. Featuring Aidan Feldman and Alex Bisker. Chromakey effects by Ryan Wilcox. 2008.

